But like many of her peers here, Lee spent years navigating narrow-minded business models, so she knows this moment matters. âFor myself and for other Asian American women, I donât want to accept my previous realityâI canât,â she says. âI have to make up for lost time.â
Randolph, meanwhile, may well take home an Oscar on March 10 for her work in The Holdovers after making a name for herself on the New York stage. âWhen you truly understand the climate of this industry and whoâs telling the stories, weâre marginalized. And then on top of that, to be a woman of color who is curvy?â she says. âThis outdoes the dreams that I dreamt…. I let go of the wheel in that respect a long time ago.â
Lily Gladstone, an Oscar nominee this year for Killers of the Flower Moon, was raised on the Blackfeet Reservation in northwestern Montana, and came up fighting for a paltry selection of Indigenous parts in film and television. âYou kick the door down to hold it open,â she says. Sheâs now the face of progress and could become the first Native American performer to ever win best actress. âI advocate for other people before I advocate for myself,â she says. âEven just making dinner reservations, I count the whole party and I forget myself.â
On a hazy winter afternoon, Charles Melton paces on his deck in the Silver Lake hills. Heâs demonstrating exactly how, and where, he developed the physicality of his character, Joe, in May December, which has vaulted the Riverdale alum from teen-soap idol to art house heartthrob.
Between sips of Coke Zero, Melton gazes out at the panoramic view of the Los Angeles skyline. âIâve always been a big dreamer, and Iâve tried not to set any limits in my mind because Iâll get caught up in the limits outside of me,â he says. âIâm always seeking. My ambition is always driving me.â