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Kerry and her bangs have been through a lot on this season of Succession. From her botched ATN audition to the death of her boss-slash-boyfriend, Logan’s trusted assistant, played to precision by Zoe Winters, has been absolutely put through the wringer. “Until this point, she’s been this impenetrable, indomitable, inscrutable presence,” says Winters. “It’s been really, really satisfying to track her as she unravels in some sense.”
In episode four of the final season of Succession, we see Kerry reach her breaking point in Logan’s foyer in a showdown with his widow, Marcia (Hiam Abbass). “One of the most painful things is that anything between them was always kept a secret,” says Winters about Kerry and Logan’s Relationship. “Now, when she felt like maybe she was on the brink of being able to have more real estate in her Relationships, and in her position, and in her security, he dies, and she’s left without anything—and also left without the right to grieve publicly.” Below, Winters opens up about Kerry’s season four arc, the similarities between Kerry and Marion Davies, and her own tiny apartment.
Vanity Fair: How real is the relationship between Kerry and Logan? Does she really love him, or was she in it for the money?
Zoe Winters: I think that I definitely have my views of what this relationship is. But for me, it’s been important to leave it up to the audience. Part of why this show is successful is that they don’t do any exposition. They’re not hand-holding the audience in any way. These cameras are just in the room, picking up these interchanges between people that would naturally occur. I think it creates this sense of anxiety, not having all the answers. But the reality of life is that we don’t have all the answers. So I’ve kind of kept my opinion out of it, just so I could give the audience the pleasure of deciphering their own ideas.
I will say that I think that there’s real feelings there, whether those feelings are on a business level or on an intimate level. He’s the most powerful person in the room, and then the most powerful person in the room looks at you. You feel seen by the most powerful person in the room—what does that do to a person that hasn’t previously had that? I think that she comes from a background where maybe she’s been striving for that, and so she becomes addicted to the power and attention that she gets by his gaze being on her.
We talked a lot about Marion Davies, and the fallout that she had from when [William Randolph] Hearst died. He did so much for her career, and maybe also hindered her career. She wrote this letter to Charlie Chaplin’s wife about what it is that she gets from this dynamic. She said something to the point of feeling that being with him gives her worth, that she’s worth something to him. And if somebody this powerful finds worth and value in you, and you’re someone that is in need of that, it’s captivating and intoxicating. I think that that is what has happened to [Kerry] here.
With the absence of Logan, Marcia sends a lot of darkness her way. She actually sends Kerry into a taxi to the subway, to her little apartment.
The thing where I actually relate most to Kerry is the fact that she has a tiny apartment. [Laughs.] So much of this episode is about, I think, landing. Where do people land after the king has fallen? What’s their place, and what’s their value and what’s their worth? Kerry has really lost the sole being that has kept her in the room. And so you can be as mean to Kerry as you want, because she is now rendered powerless.
It’s such a ferocious line. And Marcia’s had her moments of being humiliated and being betrayed. Everyone has carried the feeling of being broken by him, so then they pass on that torch to someone else. One of the most painful things for me about this episode for Kerry is that whatever the relationship was, she had hoped for some formal arrangements and some agreements and some sort of legalizing that she would have security in her future. [She’s] trying to salvage anything that would promise that.
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